Thursday, 23 October 2014
I've read snatches of The Pleasures of the Text over the years but never had my own copy. It took forever to find this one, but it was worth the wait. I love the language: 'The text you write must prove to me that it desires me', and I love his ideas about language: 'I am interested in language because it wounds or seduces me'. And I love the yellow cover.
I wasn't quite sure how to take a present entitled Being Wrong, so I read bits, interesting bits, but then it somehow got shelved. But I was wrong not to read it cover to cover, because I could have saved myself so much being wrong-related angst between then and now. Schulz draws on psychology, philosophy, science, religion -- whatever it takes -- and synthesises the lot into a readable, fascinating whole which attempts to explain why we are so often wrong, why we deal with it so badly, and why we should embrace our inner wrongness. I can't recommend it enough to anyone who has ever been wrong.
Thursday, 2 October 2014
It's been a good week. My contributor's copies of Surge (Brandon/O'Brien) arrived, a collection of stories from the Creative Writing schools of UCD, UCC, NUIG, Queens, and TCD. It's beautifully done -- thank you to all at O'Brien Press -- and so far (I'm working my way through at the moment) the stories are terrific. Publication date is the 13th, and it'll be launched at the Dublin Book Festival, and in Charlie Byrne's, Galway, and in Belfast's Crescent Arts Centre.
And yesterday was the launch of Emerging Perspectives Postgraduate Journal in English Studies, which includes my paper, "No One's from Chicago: Finding a Balance Between Theory and Practice". Thank you to the English Graduate Society, and to David and Michael in particular. This publication is particularly exciting because it represents, both in the abstract and concretely, a bringing together of my writing with my English Lit background - a circle completed, or something.